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In 1948, she played Joan of Arc in the film “Joan of Arc” (1948). Directed by Victor Fleming, Bergman had wanted to play this role for several years and considered it her dream role. However, the film received a mixed reception, with critics not universally impressed and the box office receipts were disappointing — given Bergman’s past track record. It was one of her few films to make a loss at the time of release. Though it has since earned back its investment. In 1937, Bergman married Swedish dentist Petter Lindstrom. They had one daughter, Pia. Lindstrom moved to New York in 1940 to be with Bergman, but he was not enamoured of the Hollywood scene. Jesus beautiful lion and lamb canvas prints. The relationship became increasingly distant with both drifting apart. Other successful films followed, including Gaslight (1944) (which gave her first Academy Award for Best Actress), a nun in The Bells of St. Mary’s (1945) and also Hitchcock classics, such as Spellbound (1945) and Notorious (1946).
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In the 1940s, Bergman wrote to the influential Italian director Roberto Rossellini praising his work and suggesting that they make a film together. In 1950, they filmed Stromboli (1950) together and she also began an affair with Rossellini, which resulted in boy — Robertino Rossellini, born in 1950. Shortly after his birth, she divorced Lindstrom and married Rossellini. She gave birth to twin daughters in 1952. Her affair with Rossellini and divorce had a devastating impact on her carefully cultivated image and popularity. From being the angel of Hollywood, she was criticised and censored, at a time when there was a stricter morality about divorce. She was even denounced on the floor of the US Senate by Charles H.Percy who stated she was “a powerful influence for evil.” (22 years later he would enter an apology in the Congressional Record.) Towards the end of her life Bergman would wryly remark that her public image went.
After a break from Hollywood, she returned to feature in Anastasia (1956) this gained her a second Academy Award for Best actress. In 1958, she was the presenter of Academy Award for Best Picture, receiving a rapturous welcome, indicating her return to Hollywood’s affections. Her later film career involved a variety of roles, illustrating her adaptability and flexibility. She alternated between European and American films and also featured in stage productions and some TV work. Jesus beautiful lion and lamb canvas prints. She spoke five languages (Swedish, German, French, Italian and English) and featured in films with different languages. In 1974, she received her third Oscar for her role in “Murder on the Orient Express” (1974). She refused the role of Princess Dragomiroff, choosing instead the much small role of Greta Ohlsson, an old Swedish missionary. It was typical of Bergman, she was careful of the roles she played and chose them for many reasons — not just which would be most successful or highly paid.
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After the Chernobyl disaster of 1985, Gorbachev’s resolve to reform Communism began in earnest. His ideas of glasnost and perestroika were truly revolutionary. Glasnost involved openness and moves towards individual freedom and openness. It was Gorbachev who sought to free political prisoners and allow greater press freedom. He also started the transition to a market economy. The changes that Gorbachev initiated began to snowball and soviet satellites in Eastern Europe gained a taste of freedom. Previously, attempts at liberation in Eastern Europe (Hungary 1956, Czechoslovakia (1967) had been met with Soviet tanks and Soviet repression. But when borders started to crumble in the late 1980s, Gorbachev was not willing to use force against his own people. Some say, the grip of Soviet Communism power was weaker — but it was weaker because Gorbachev was a different type of leader who did move the country in the direction of freedom.
